Low-resolution pixels, which exist solely on the digital plane, are reorganized three-dimensionally on canvas, expanding images that once remained flat into actual physical space. As technology advances, low-resolution pixels are often smoothed over or replaced, disappearing in the process, but I transfer the forms and traces of characters born from their imperfections as they are.

On the canvas, the pixels take on thickness, texture, and shadow, becoming tangible entities that can be physically touched. This process allows digital images to acquire material presence in reality, and the small units once overlooked on the screen gain new presence within space. Imperfection is not a flaw but functions as their point of origin and identity.