Digital commands take on material form. The assembled structures are not merely visually striking—they function as a language that recalibrates our systems of perception. The flat paintings capture the process of creation expanding from a field of nothingness through the use of highly saturated artificial colors, while the three-dimensional sculptures convert code into material, constructing structures on black bases using yellow and black components.

Video work reveals how we are gradually absorbed into the digital environment, often without conscious awareness. By encompassing painting, sculpture, and video, the work multidimensionally investigates how our perception and modes of existence are influenced at the boundary between the virtual and the material.