<message 999+> originates from the habit of postponing replies while leaving notifications unread. The work collects fragments of everyday language—from romantic and friendly exchanges to job postings and commercial advertisements. As these texts are classified and accumulated on the screen, they gradually acquire material density, functioning as visual components within the moving image.

<Plastic Life> constructs an artificial ecosystem where 3D-printed forms intertwine with synthetic plants. The plants emerging between the tangled filaments pierce the surface, seeking new vitality within the artificial structure. The mirror acts as a fluid terrain where light and form permeate, and the two entities reflected upon it generate another layer of ecology through reflection and overlap.

Both works accumulate text and matter through repetition, forming amorphous structures whose fluid presence can, at times, weigh upon us.